"Prelude in D Flat Major" is the way overused music in this movie. I've learned to hate it.
...Also, the movie was shot in Canada...because Romero's love for Pennsylvania isn't as big as it used to be...
Part 1
Part 2
Part 3
Part 4
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[Why DIARY OF THE DEAD sucked pt5]
Part 5:
Women and children first!
The
overarching plot to this mess is finally reaching its payoff. We have reached
Scranton and arrived to Deb's house. After a bit of speculation as to why the
house looks abandoned*, Deb decides to abandon the party and urges everyone to
get back on the road without her. I am all for this idea. Sadly, this won't
happen.
*Did I
mention the family was vacationing at the time? And that at one point they
managed to get a text out to her that they're ok (at the time) and are driving
home? No? Did I gloss over those parts? My bad, I must not have cared. To be
fair, the scene where Deb gets a text is right after the 72,000 Myspace views
argument and I was still blind with rage at this movie...
Before
deciding to leave, Deb looks to the camera (because that's the only way to talk
to Jason anymore) and says something along the lines of "I guess I'll call
you," like this whole zombie apocalypse thing was more of an awkward first
date or something with Jason replying in equally dumb fashion. At this point Jason
is committed to the idea that he's gonna leave his girlfriend home alone during
the zombie apocalypse to keep filming his Myspace movie. Tony quickly calls
bull shit on this and decides to stay with Deb so she isn't alone. Then
everyone quickly decides they have their own reason to get off the RV and chill
at Deb's house; Girlfriend wants to pee, Elliot wants to play video games,
Professor wants to get drunk...I'm not shitting you on any of these
reasons...but the only person who has no legitimate stated reason for wanting
to stay with Deb is her own fucking boyfriend.
So, upon
reflection, it's more and more likely that Jason isn't so much Deb's boyfriend
throughout this movie as much as Tony is. Go back and watch some parts of this
movie; whenever Deb needs someone to lean on or for general support, it seems
like she goes for Tony way more often than she even acknowledges Jason as an
option. Maybe because it's Tony actually making an effort for the group to
survive, or maybe it's because Deb has silently agreed that she needs to dump
Jason for being a dipshit (she just needs to find the right off camera moment
to have "that talk") and has already decided Tony makes a fantastic
rebound.
Into the
house we go and we discover that the family did indeed make it home, but
they're nowhere in sight. Deb discovers the abandoned car they drove home on
and is pointed to a damaged and bloody window in the front passenger side. So
yeah, shit looks bleak. Deb starts freaking out and needs to find them, only
for Tony to stop her and explain that they might not be ok. Ya know, gear her
up for the worst case scenario...shit a boyfriend would do....while her actual
boyfriend silently records it and says nothing. At this point I'm convinced
that they did break up off camera.
While Tony
is being the concerned apocalypse boyfriend to Deb, you should at this point
take notice of the Professor standing over them, rocking out his dumb fucking
bow and arrow set and you just know that shit's gonna get shoehorned in this
movie now. Just, gear yourselves up now for that. Meanwhile, Elliot and
Girlfriend are somewhere else in the house and...not looking for the family?
Cuz seriously, how hard is it to find either 3 zombies, 3 scared alive people,
or any combination of the two?
Before we continue,
I must warn you, this next bit is where the movie fucking dies. Before it was
just a shaky plot with some seriously underwhelming acting. But the part where
Deb's brother, as a zombie, ninjas over and jumps onto Deb's back (without
biting her, because why would a zombie do anything like that?) is the part
where the S.S. Diary of the Dead can officially be classified as a sinking
ship.
As bad as
everything has been to this point, there is still the hope that the final act
can deliver and stick the landing. Hell, the final act begins with an empty
house and a missing family, with a slow and tense buildup between Tony and Deb.
There was a flicker of hope....which was completely extinguished not even ten
seconds later by a ninja zombie attack that gets stopped by the Professor
shooting an arrow into the zombie's head, sending it flying off of Deb and
getting impaled into the wall, leaving the dead zombie to dangle even though
weight, physics and reality all argue about the validity of such a shot.
While all
this is going on, Jason says and does NOTHING while his girlfriend's life is in
danger. He makes no effort to help her. Deb is trying to shake off an attacking
zombie that's latched onto her back, and instead of dropping the camera and
helping her, he positions himself to getting the best angle of the scene. And
you can tell he's doing that because when the view switches to what Elliot is
shooting, you can see Jason and his camera doing absolutely nothing to help.
Seriously, if she hasn't broken up with you by now, it's officially over, buddy.
Deb runs
around some more after her brother is killed (again) and ultimately finds her
mother as a zombie eating her father behind the couch. That zombie is killed
quickly as well by a arrow shot, with Jason quickly panning over to the
Professor as he fires off a one-liner about how it's time to leave (like they
fucking practiced that shit or something). This was the payoff of the whole
movie thus far. At the beginning the major goal was: get Deb home. It wasn't a great
goal, but it was solid. And the end result was a whole bunch of people doing
nothing and two zombies being shot with arrows...and the arrows aren't getting
any less stupid so fucking stop it already!
Skipping the
dumb voiceover, we cut to later on, back on the road. It's clearly night and
Jason finally, FINALLY decides to clock in as Deb's boyfriend and tries to
comfort her quickly before assuming his preferred role as cameraman. Some quick
chastising from a numb Deb and Jason has nothing to say in defense. A minute or
two later Jason finally informs everyone that the Mummy-guy from before is
alive and invited everyone to his house. I guess that's where this movie is
going now while we wait for the ending.
Hey,
remember the Amish guy? Me neither, but I distinctly remember that whole scene
being fucking pointless. Let's have another pointless scene where some National
Guard guys show up and rob the group of all their anonymous supplies that they
got from the Black Militia. Remember that part? Yeah, that was totally a thing.
Well, it
turns out that this scene was indeed completely fucking pointless for the
movie, but that was Romero's point. The National Guard guy is actually the
protagonist for Romero's next movie, SURVIVAL OF THE DEAD. That's right, this
movie is fucking done to the point Romero is giving screen time away to a
teaser for his next movie.
Next, Romero
kills some screen time to show us some more "TRUTH" footage. This
time it's a bunch of guys in yellow clean suits and rifles working their way
through a building who come across and old couple who are harboring zombies.
Everyone is a fucking idiot in this too and there's one cringe worthy part
where a guy shoves his rifle in a zombies mouth, shoots through the head and
then continues to shoot other zombies through that very hole in a
so-dumb-it's-cool scene. All together, it's a way better movie than the one
we're in now. Jason comments on this video and his comments are followed by
Deb's voice over. Lemme paraphrase...
"It
used to be "us" vs. "us". Now it's "us" vs.
"them"."
"He's right. Except "them" is "us"."
.................WHAT THE FUCK? Did anyone proof read this script?
We
transition to the next part of the movie while watching Deb soundly sleep
against her new boyfriend, Tony. Elliot wakes everyone by announcing that
they're arrived to their new destination. It's worth pointing out, that we've
reached the final location of the film and are approaching the end. It's gonna
be time to start thinning the ranks here, which means we're due for some really
stupid deaths just for the sake of killing off characters who are reaching the
end of their usefulness.
Anyway, the
final location turns out to be a fucking mansion. This should end well, so long
as no one involved has ever played Resident Evil. Before anyone can walk in the
front door though, Jason bitches that they should wait until he can get in
position to film it at a good angle...and everyone complies like it's no big
deal. Everyone has now officially stopped fighting Jason on this as opposed to
the more common reaction of just ignoring him and not complying like this is
some school film project.
They go
looking around for a bit before Mummy-guy pops out from a panic room. For some
reason, he is STILL in costume multiple days after day 0. No one cares since
he's all "Make yourselves at home!" and everyone starts splintering
off to get killed. Jason also pawns off his camera on Tony while he goes after
the other camera left in the RV. Tony bitches about being handed the camera.
Normally, he'd just drop it where he stood and walked away, but since character
consistency is overrated, he starts filming too. "But isn't Elliot the
backup camera guy in this movie?" you may ask. Good question. Too bad
Elliot is instead getting into position to get killed in a bit, that's why.
Let's talk
about Mummy-guy. Mummy-guy starts off as drunk, and is noticeably detached
about the whole zombie apocalypse thing going on. He then reveals that that
other chick from way back in the beginning is dead, as is his entire family and
house staff. He goes back to show Tony and Deb where he left the bodies (in the
process revealing that he'd been bitten) then ninjas himself back into the
house before either living person with him notices. Then, despite his ninja
stealth, drops dead maybe 10 seconds back into the house, and reanimates before
anyone can find his corpse.
Zombie
Mummy-guy gets up and makes his way to the front where Girlfriend is unloading
the RV with Jason doing nothing to help except film. It's lamp shaded here, but
that's no excuse. Mummy-guy attacks Girlfriend and she gets away. Despite Jason
being right fucking there, Mummy-guy decides to stumble after Girlfriend. Then
we have a lame callback to the beginning of the movie where Jason was trying to
direct, right to the part where Mummy-guy reaches for Girlfriend, and grabs her
dress to reveal her tits like Jason wanted. Then Girlfriend takes a tree branch
and knocks out the zombie.
Lemme repeat
that.
Girlfriend
takes a tree branch and knocks out Mummy-guy, who is a zombie.
Then she
storms off to the RV and drives away alone, with a banjo playing in the
background.
This sinking
ship of a movie just found a way to also catch fire.
And if
knocking out a zombie wasn't ludicrous enough. Two scenes later, it's back up
and somehow not only in the house, but also found a way to ninja to the very
room where Elliot just got done taking a bath. Then it bites Elliot while he's blow-drying
his hair and they fall into the somehow still full bathtub and Elliot gets
electrocuted to death.
All the
remaining characters meet up and the Professor says that everyone should just
get to the panic room while they still can. Oh, and the Professor is drunk.
Drunk Professor along the way to the panic room spots some mounted swords and
decides to grab one. Now, like the bow and arrow, I should be crucifying this
weapon choice...but the Professor is operating on drunk logic at the moment.
Drunk logic dictates that a sword would be a kick ass idea. I am totally for
drunk logic. I am also behind the idea that being drunk is the only reason
anyone untrained should reach for a sword in the zombie apocalypse.
Anyway,
Jason doesn't want to go live in the panic room because then his little movie
would be over, so he decides to sneak away. As he sneaks, he runs into
Mummy-guy zombie (somehow not wet) who managed to ninja his way yet again into
a killing position. How the hell did Jason not see him. The camera view was to
the floor, so unless Jason was also staring at the ground as he moved, there's
no excuse for him walking right into a zombie.
Jason is
getting eaten now on the ground and manages to kick the zombie off of him. But
instead of running away now, he instead crawls to his fallen camera because I
guess it's a good idea for him to film his own death. Then as the zombie crawls
back on top and tries to finish off Jason before the Professor dispatches him
with the sword in incredible impossible fashion. Seriously, I can excuse the
sword selection, but never the idea that a drunk Englishman could actually
slice through a human skull vertically with one.
Now Jason is
dying (yaaaaaaaaay!) and as he dies in Deb's arms, he asks "shoot me"
but instead of handing Deb a gun, he hands her his camera. Deb takes the camera
and films herself shooting Jason like it's the ending to a snuff film.
Cut to a
flashback sequence where Jason is filming himself at what is assumed to be the
beginning of this whole crazy zombie mess. He promises his audience that he's
gonna give them the "TRUTH" and everything will be raw and shit. All
I have to say is he seems waaaaaaay too excited here. "The dead are
returning to life and eating the living, and I cannot wait to film all my
friends dying!" He seemed to have forgotten to mention the part where he
planned to do jack shit to save anyone, like he was planning a nature
documentary.
Back to the
present where Tony and the Professor are looking for Deb. Tony finds her first
(because he has the camera) and she's smoking in a chair, holding the other
camera and vowing to finish this fucking movie...because with Jason dead, all
those Myspace views are hers for the taking. That kind of power is dangerous,
Deb, wield it responsibly.
Morning
comes and both Deb and Tony are filming like fucking idiots while the Professor
shaves and tries to get over his fucking hangover. Then zombies are suddenly
fucking everywhere and breaking into the house. The Professor closes the door
and locks the three of them inside. Was it ever established that there was
internet in that panic room? A computer? Food? Bathroom? No? How did they edit
the end of this movie? Answers! I demand answers for this cobbled together
ending!
Final
voiceover where Deb shows us a scene of some rednecks using zombies as target
practice. She ends the movie by asking "Are we worth saving? You tell
me."
Then I tried
to shoot myself in the head to forget this fucking movie. True story.
Next time: My torture ends...
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